At Glastonbury’s Shangri-La, activism and innovation meet

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Rhian Daly is a culture journalist who has contributed to the likes of Billboard, Rolling Stone, Grazia and more.

If you venture to the south-east corner of Glastonbury’s sprawling Worthy Farm site, you’ll find Shangri-La, a patch of field filled with tiny club venues, outdoor stages and political art. Each year, the area adopts a different theme but, for 2024, the concept picks up where last year left off with ‘Everything Must Go – The Sequel’, an immersive commentary on consumerism and capitalism.

The shopping parade culminates in the new, alfresco Peace Stage, which will be present at the festival for this year only. The space is designed as a decaying shopping centre, the lettering on its signage crooked and unkempt. The space will change over the weekend as activists and artists – and general festival-goers – paste up art they’ve created on site, sharing their positive messages with those who enter the area.

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