he choking grip of artificial intelligence on humanity is the starting point for Bertrand Bonello’s wildly ambitious, century-spanning, French and English-language story of doomed romance, subconscious fears and pigeon-based symbolism. It’s a theme – AI, that is, not the pigeons – that has been thoroughly mined in cinema of late, perhaps not surprisingly. After all, AI poses one of the more significant threats to the future of humankind.
The Gabrielle of 2044 is an intelligent woman forced to do the most stultifying of drudge work. To get a more challenging and rewarding role, she must submit to a kind of psychic purification process intended to divest her of not just her emotional baggage, but her emotions entirely. This is a world that has been pulled back from the brink of catastrophe, we learn, by ensuring that no decisions are made by people experiencing anger or fear.
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