Wire, and featured insights from filmmakers Joel Kuwahara and Paul Trillo, musician Claire Evans, and Cristobal Valenzuela, CEO and co-founder of Runway, which organized the festival.This week the second AI Film Festival wrapped up in New York, following a Los Angeles premiere I attended last week.
Daniel Antebi's “Get Me Out” won this year’s Grand Prix. The film is a poignant narrative that exemplifies how AI can extend the visual and emotional depth of cinematic stories. Unsurprisingly, Antebi is an accomplished director. His short film A DIOS won the 2019 Sundance Ignite Fellowship. Another short film, SOFT, premiered at the 2020 SXSW Film Festival. Antebi was named one of Filmmaker Magazine's"25 New Faces of Independent Film 2020.
“We measure time in weeks and months. Beyond that is hard to predict,” said Valenzuela on the future of Gen AI filmmaking. “But scaling models will prove to be the most significant effort for better fidelity and controllability. I believe in five years we will have real time simulators able to create entire worlds in ways that might resemble the language and experience of games, but different.”
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