. The screen allows you to browse through all your Native Instruments plugins and sound packs, and even many third party VSTs, like those from Arturia, complete with artwork. And then change parameters, complete with visual feedback, until you get the sound you're looking for.
If you'd rather not deal with the additional overhead of Komplete Kontrol, the keyboard can tap directly into. Frankly I much preferred this. While being able to browse, load and tweak presets, regardless of instrument directly from the keyboard is nice, it can be a little overwhelming. And there is a touch more lag loading Kontakt soundbanks when you're going through the middleman of Komplete Kontrol.
Two of the other major changes to the S Series are a little less obvious. For one there's a new unibody shell that, might not make any practical difference, but does give generation a slightly more solid feel. The capacitive encoders and pitch and mod wheels are all made from machined aluminum as well. This is a keyboard that feels worthy of a professional studio.
It feels great too. I tested the Kontrol S49 which, like its slightly bigger sibling the S61, has a semi-weighted keybed. The travel for aftertouch is short, but satisfying and in general it responds to playing naturally allowing you to get a lot of nuance from your playing. The S88 however will have a full hammer action keyboard that might appeal more to serious piano players.Lastly, it's worth noting that there is plenty of connectivity on board as well.