‘Design me a chair made from petals!’: The artists pushing the boundaries of AI

, to create their own unearthly visions – a tool that has since rendered the technical skills of digital artists such as Reisinger all but useless. Midjourney could generate a pink petal chair in seconds and give you several alternatives while it’s at it. For the anodyne marketing blurb, look no further thanGiven the pace at which such technologies are developing, it is an ambitious subject for the comparatively slow-moving beast of a state-owned museum to tackle.

In the latter category, Iranian artist Morehshin Allahyari presents a series of Assyrian artefacts that were destroyed by Islamic State, which she has digitally reconstructed from photographs and 3D-printed in translucent plastic. Each contains a thumb-drive, suspended like a fly in amber, containing maps, videos and information about the destroyed artefacts, like digital time capsules.

In a similar vein, a screen nearby shows snippets from a virtual reality video game developed by Ethiopian designer,. Set in the Unesco world heritage site of Lalibela, home to 12th-century rock-hewn churches, the game allows players to experience the story from three different male perspectives, including an Indiana Jones-style white saviour archaeologist who appears to be set on looting the site’s treasures.

Other projects explore the reach of the virtual into the home. Researcher and designer Simone C Niquille takes a pleasingly sideways look at the hidden workings of domestic smart technology in her, which she made using the 3D datasets for training consumer robots, such as Roomba vacuum cleaners, on how to navigate our homes.

Such a broad topic has inevitably resulted in a show that feels a bit hit and miss. There are too many mindless renders of Instagram-friendly spaces that look like Aesop concept stores or oligarchs’ villas and a tedious film of an imaginary train ride through CGI landscapes . But there are plenty of other things to chew on.

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