Earlier this month, a gloomy hip-hop track created with the help of artificial intelligence to jarringly replicate the voices of Canadian superstars Drake and the Weeknd went viral. Heart on My Sleeve was posted online by an anonymous producer using the name Ghostwriter who appears only as a person with a sheet thrown over their head.
Toronto gets a shout-out, but mentioning it by that name is amateurish: The city is “The 6″ in the hip-hop vernacular. The song is listenable and comical enough to be considered excellent parody. Because fake Drake carries a tune much better than the real thing, we know it is not authentic Drizzy. Man at odds with artificial intelligence is a long-running nightmare traditionally considered by science fiction writers and champion chess players. Now it is the music industry that faces the threat.
That is not inherently a bad thing. Bestselling author James Patterson employs ghostwriters to help with the prolific output released under his name. His readers don’t seem to care, and neither does his publisher. It’s all transparent and above board.A group called the Human Artistry Campaign, representing dozens of international arts-licencing organizations including Music Canada, has outlined a set of principles to deal with the future that has already arrived.
“As I understand it, AI emulates human articulation by scraping an immense library of documented human articulation,” Mangan told me. “This is exactly what songwriters do, albeit within their own more narrow and biased spheres of historical influence.”
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